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AE lenses also show ninja-star bokeh when stopped down, which is a major turnoff for some folks. Caps & gears cool. As they were designed for photography, they have clicked stops, which has to be dealt with, but they all feature non-rotating front elements, which is a very valuable feature these days with vari NDs. Impressive performance and also the fastest 35mm I ever owned. Does not come with any adapter. I personally own the 35mm and the 50mm. Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. ALL of my MMs do NOT have the Ninja-Star, so Im going to say this is a Maxim. I took this question to Instagram again and got really good arguments for both sides. @Yean: I'm 99 % sure it's the adapter then. See the photo below! Otherwise, you should notice no optical or mechanical difference between the two lines. Having them separate also gives me versatility on pricing, since the main set can still go out without them for a more accessible price. check out the. If I know Im not gonna need either the 15 and the 60, I just dont take their case with me. Every time I had to pick a lens I went for the 35mm f/2.8 instead. To fix that I took the stickers off, added a thin layer of glue, put the stickers back in place and let it all dry overnight. WOW! As many of you knowI have been a strong proponent of Contax Glass on REDUSER for a while now. The 18mm is almost one fourth of the price and half the weight of the 15mm, plus it fits along with the other MMJs in the set. Time. All times are GMT-8. I'm liking my 28:2.8 AE. So I sand the inside down a bit and try again. I'll definitely look into my adapter. This is an endeavor Ive been working on and off for the last two years and now I can see the finish line. This will ensure a constant outside diameter, which means you dont have to adjust your follow focus every time you change lenses. Lastly, just for curiositys sake, Carl Zeiss has a specific nomenclature for his lens designs and you can see some of them written on the ID ring of these Contax Zeiss lenses. I needed a proper case! To me, Contax are a GREAT way to affordably get a very real cinematic look from a golden age in Zeiss optics. Thats where my obsession started. So this reasoning is pretty bullet proof. Old against New: Zeiss 2.8/28 vs Sony FE 2/28 vs Minolta MC 2/28 The 18mm is almost one fourth of the price and half the weight of the 15mm, plus it fits along with the other MMJs in the set. Expect there to be bidding wars on eBay now, the gates of CONTAX HELL have been unleashed. Zeiss has their own language, their own nomenclature, for lens designs that is very useful to be familiar with as you start hunting for lenses. Bill that is an insane price for the 21, it's been hovering around 2,000 for as long as I can remember. There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. Germany vs Japan? Also almost twice as big and heavy as the previous one. If you do have a printer, I made a tutorial on how to make focus gears! Landmine Media, LLC. Next up was the 35mm, two stops faster at f/1.4. I returned to the guide and started eBay hunting. Chris Ware Media - Cinematographer, Photographer, Journalist Its also quite similar to the modern 15/2.8 ZF/ZE offered by Zeiss, just a 2/3 stops slower. are considered to be the best removable adapters ($90). In my previous buyers guide Ive shown you how to build a Zeiss Jena Mini-Cine set for $1000, but if you have a bit more money to spend then ContaxZeiss is the way togo! These terms refer to all lenses 45mm and up (to 500mm). I own (or have owned) an AE 25 2.8, 28 f2, 28 2.8, 35 1.4, 45 2.8, 50 1.4, 50 1.7, 60 2.8, 85 1.4, 85 2.8, 135 f2, 135 2.8, and 200 3.5and ALL OF THEM have the Ninja-Star. Introduction to Contax Zeiss + Cine Tune-Up Guide Live with it. Ive had great success on ebay, but only from premium buyers. Zeiss AE lens information brochure, "The Finest Optics by Zeiss", Their disadvantages are that they don't have matching T stops (hey, theyre still lenses!). That information was usually written in the lens case, and the focal length was on a sticker attached to the lens cap. If you wanna follow this path, theres no way to dodge reading the Survival Guide. You know, like a cine lens! To summarize, yeahthey look remarkably similar. Still on the DIY train, a friend and I had just bought a 3d-printer, so I started making my own focus gears. Contax Zeiss should be on your radar for a couple of reasons. Whereas Contax is an F4 at 18mm, and 2.8 at 25mm. This is another trick to make lens swaps faster, since you wont need to adjust your follow focus back and forth on the rig. The 35-70 doesn't move when the camera tilts. . Domenic, you are selling your 100 Macro 2.8 right? :) Thanks buddy. ZF/ZEs only go as far as 135mm. I was just ahead of the game, so it wasnt necessary on my case. It doesnt really ever pop up on my 25 2.8, 28 f2, 50 1.4, or 135 2.8. Be patient, use heat and sandpaper, and youll get there. Search. You can skip ahead and read that HERE. Shervin, thank you so much for posting those R3ds. If anyone wants seven of the best Zeiss lenses ever made, PM me. These last two are challenging to adapt to EOS because of their. May be one of the sharpest Contax primes ever made. In fact, at 5.6 Contax, Supers and Standards looked IDENTICAL. It's definitely not lens breathing. I was not impressed, so I decided to make my own. Take or leave it. Theyre fully manual focus and aperture -, have solid metal construction, long focus throw, and a great feel overall. adapters work fine ($15) (They are conservative and tend to overcompensate by a millimeter or two, so they can make your glass focus past infinity at the tail end, a bit annoying but nothing terrible). Lucky for me my 50 and 85/1.4 were already MMJ. Lets go back to the 70s. This website or its third-party tools use cookies, which are necessary to its functioning and required to achieve the purposes illustrated in the cookie policy. You NEVER SEE it wide open, because the blades arent engaged. Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. For a little over a year, this was enough. Im selling all the gears I made for my set on eBay, I made a tutorial on how to make focus gears, the same formula for the 21mm f/2.8 ZF/ZE primes, I was warned by my followers on Instagram about the edge the AE had over the MM, he can provide caps with stickers already on them, see here, by Moritz Schierenbeck on VLFVs facebook group. You know, like a cine lens! Carl Zeiss Vario-Sonnar T* (C/Y) 35-70mm f3.4: A review Not too sure but it seems likely. Speaking of good prices, many links in this post will take you directly to eBay searches of each specific lens! Even the 21 is only a 2.8. . Theyre killer tools for video, but in order to achieve maximum performance, theres a number of steps and procedures to tackle. In the same way RED wants to give you as many options by letting us shoot RAW, my hunch is that Zeiss was doing the same back in the day with a low-con coating. This is an endeavor Ive been working on and off for the last two years and now I can see the finish line. Contax Zeiss. This page was generated at 05:50 PM. Because the wides are slow, you will almost certainly need to compliment your kit with a Tokina/Duclos 11-16 2.8. If you dont have a 3d-printer, Im selling all the gears I made for my set on eBay! They cover full frame, are super easy to adapt to many other mounts and never lose their value. Collapse. Distance between first and last lens vertex: 33.6 mm 51.8 mm Weight: approx. The lenses were made in two generations. I needed the one extra stop of light though, for consistent f/2 or faster through the main set. Copyright 2007-2022. Nick P. - lenses like your 35/2.8 and 50/1.4 with the last (largest) number on the aperture ring in green are MM lensessince made in Japan, they are called MMJs. What IS the Ninja-Star? But dont expect them to have the even performance of a set of Ultraprimes or Masterprimes (where many of the primes are not only similar in size and weight, but also perform similarly at matching T stops!). Both look awesome, and I think people are splitting hairs. comments sorted by Best Top New Controversial Q&A Add a Comment . If you like vintage flaring, the AEs are great. Of course, that was way before RED and Leitax adapters. However, I wont argue that having a lens that says Made In West Germany is wicked cool. The price was pretty good and Im the type of person that can buy something just because the price is good. When designing your focus gears, keep the number of teeth constant for all the lenses. If you want to get in the same room and do a test to compare the 50/1.4 to a ZE/ZF, I'd be more than willing; just shoot me a line. Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this guest post, Vancouverbasedfreelance filmmaker and an anamorphic lens freak TitoFerradans,is exposing us to hisContax Zeiss CineTune-Up Guide. Just to be clear (think you left that part out, haha). Have a look at Kipon for something decent or Novoflex for first class a Zeiss deserves it. That was probably one of the most stressful experiences of my life with lenses. DPReview TV: Nikon 58mm F0.95 Noct Review! Still on the DIY train, a friend and I had just bought a 3d-printer, so I started making my own focus gears. Show. I'm not too sure where they got their findings, but apparently this was a series of tests possibly published on Zeiss's website. How can i get those lenses from you? The process turned out alright and the gears worked great, but later on I learned some useful tricks. If you want something ready to use from the get-go, Id say this is not for you. Thats when I learned of Leitax and their mount replacements. This page was generated at 05:50 PM. While this site is targeted to adapting Zeiss Contax lenses for video, it also seems to be the go-to guide for the rest of us with respect to these lenses. Really. is a huge fan. D) They are very easy to adapt to EOS mount. I have a mixed set and barely notice the difference. Its by no means unusable, but dont expect a Contax at F2 to perform like an Ultraprime. length (call Peter at RP lens, he can help), but if you can get them on your RED, they are also fantastic budget options. On almost all shoots weve done with Contax lenses, where we have used other glass, be it Leica Rs or Canon EOS, every time the DP has noticed that the waveforms jump. Unfortunately, it predates the Distagon 28/2.8. Ron also offers the full mod service for great prices, including focus gears and lens mounts. Certainly sharper than both its larger brothers, the 100 planar and 100 Macro.